Only five more days to go to the launch of the Museum Residency Exhibition.

I won’t lie, the last few days in particular have been quite stressful, worrying about final outcomes, whether I would get any kind of finished pieces, how would it all turn out?

Well, I am still relying heavily on the kiln fairies being kind, so I’ve got nothing to show you as the glass is still in progress, but today I finalised the display, so all that remains is for me to finish the glass, make the repro death penny, finish my diary board (that’s a metre square!) and get some work in the sketchbook so its good enough to put on show.  Is that all, you ask?

The exhibition preview is next week, and the exhibition is on 25h March during the museum‘s normal opening hours.

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Most of the last few days research have been reading Frank Hasse’s war journals.  They sometimes make for very harrowing reading, and I am only part way through.

This week, I will be carrying on reading, but will be starting some actual artwork.  A collage piece is coming to mind right now.  I don’t often do drawing or painting these days, so I am doubting my skills to execute this, but I have to remind myself that this is just for development purposes really.  It’s a piece that will be changing and ongoing as I read further into the diary.  It’s a means to an end, and methods used to create the collage board will be translated into techniques for glass.

You might also catch me doing a little bit of clay work!

I’m visiting the Moravian settlement in Ockbrook on Tuesday morning, and then I will be at the Museum after that for the rest of the day, and back again on Thursday this week from opening until around 3pm.  A couple of the other artists are in this week too, so a good time for a visit.

So, the research has begun.  I met with Keith last week, who was indeed a mine of information.  His focus as been about the family history of the brother and sister that these two particular memorial plaques commemorate – Edwin & Margaret Hasse.  He’s been able to track down quite a lot of information and documents about not only the two casualties, but on the rest of the family.

I was intrigued to hear about the letters home that Edwin wrote to his mother, they sound ‘jolly cheerful’ – whether that was Edwin’s disposition, or an attempt to not worry his mother, we will probably never know.  But his older brother, Frank, who also served during the war kept a war journal and few years later, this was published.  It often tells a rather different side, and yet these two brothers were in the same regiment and so were often in the same place – so it can’t just be down to geography that one place wasn’t so bad as the other.

I am still reading through the diaries, there’s quite a lot to read!  But interesting little snippets are coming out, and for now, it feels as though my project is going that way.

I feel like the project could be huge; that this is just the tip of the iceberg, and actually I don’t think I can do the Death Pennies enough justice in the short space of time we have.

The next few days should see a flurry of activity as I attempt to translate the feelings of these diaries into something visual – it’s making me think and work in quite a new way – what a challenge!

Tommy at Seaham.  No, this isn’t connected to the Hasse pennies in any way (as far as I know), I just happened to visit this sculpture at Christmas when I was visiting friends ‘up north’.

It’s interesting though, that despite me knowing I wanted to apply for the residency, at that point I hadn’t even been interviewed, so I didn’t even know if I would get the position, never mind that WW1 would be the focus of my project.

So, I mentioned in my last post that I had been successful in my application to be an artist in residence.  It’s at Erewash Museum in Ilkeston, but I didn’t know what I was going to be looking at.

I met with the manager Helen last week.  After discussing a few options, it was decided that the focus of my residency will be a recent acquisition for the museum.  This is a pair of rare memorial plaques, or ‘death pennies’ as they are often known.   As a result of the Unexamined Lives project, the plaques were gifted to the museum from Canada, where they’d ended up many years ago.

This week, I am going to meet with Keith Oseman.  Keith has apparently done lots of research on these, and the family members they memorialised, to find out more.  I am already intrigued by what information is already out there and what I have already found out.  Before reading about the acquisition recently, I didn’t know such things existed.  I also never knew there was a Moravian settlement in Ockbrook, a place I travel through often.  Click here for a recent article in Ilkeston Life that tells you a little about how the ‘death pennies’ found their way home.

My brain is in overdrive at the moment, thinking about all the possible directions that this research and the project could go.  Should I go down the route of looking further at the death pennies in general? How and why the originated, what people did with them?  Or I might delve deeper in to the family background and the Moravian settlement – Ockbrook is part of Erewash after all.  Where do I even start?

I can end up down the ‘rabbit hole’ when I start my research, which often starts out as text and photo rather than drawing studies (with the style of my work, drawing is not always the most appropriate beginning).  What work do I do at the museum on days in residence?  I try not to think too much about final outcomes at this stage, although sometimes I can’t help already thinking about possible ideas.

But for now, I am going to try and rein in the ideas until I have at least spoken to Keith to find out what he knows.

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